“Well, the situation is pretty dire here. We’re advising all of our clients to invest all their resources into canned food and shotguns.” This nugget of wise counsel comes from the Brain Gremlin – a genetically modified, talking, spectacled member of the slick creature crowd that swarms Manhattan’s super-smart Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. At first glance, it’s merely an portfolio pointer from one monster to another. Yet, oddly enough, it’s also pretty solid existential counsel. Honestly, listen to my reasoning.
When situations deteriorate, the biggest mistake you can do is approach matters with excessive gravity. The Brain Gremlin grasps this. In fact, a large portion of the fang-bearing creatures that populate Dante’s unrestrained 1990 movie (possibly his finest) possess the same knowing, self-referential sense of humour regarding the blurry line separating everyday life and absolute bedlam. It’s one element of Gremlins 2: The New Batch that ensures my return – and with the passage of time, it’s the theme that resonates the most.
Of course, my connection with this movie didn’t start on such an deeply thoughtful note. In my youth, we possessed merely a few scratched-up video tapes at home. Among them were Gremlins and its sequel, the latter housed in a bulky previously-rented case likely purchased from an off-brand video shop and boasting growling monsters on its tattered front. I was right away smitten and these films did not delay embedding themselves inside my small, malleable brain. After that point, they became an near-everyday part of my youthful watching schedule.
Dante’s initial installment commonly garners all the plaudits, thanks mostly because of its legacy as a moderately spooky festive favorite – and let me be clear, I’ve watched Gremlins an incalculable number of times. That said, its sequel infrequently obtains the same level of high regard, which feels unjust. As a kid, I’d never miss an opportunity to watch Gremlins 2. During bright summer vacations, I’d lock myself inside and play it. When I acquired my personal TV-VHS combo unit, it remained on repeat in my bedroom. With repetition, it ingrained itself in my mindset. If my parents detected this preoccupation, they gave no indication of concern.
As I grew, new understandings rewarded frequent screenings, heightening the enjoyment of watching small emerald creatures joyously wreck a New York high-rise. I learned the future-focused property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his ginger staff member Marla (Haviland Morris) alluding to his second wife Marla Maples. Fortunately, Clamp demonstrates more humanity than his real-life counterpart.
The “apocalyptic” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a real-life “Doomsday” video produced by the CNN boss Ted Turner in case the world actually met its demise. I noticed how Dante went out of his way to film different iterations of a self-referential segment where Gremlins hijack the exact movie you are viewing. An edit for movie houses, a separate one for tape and broadcast, each providing a grinning portion of self-referential entertainment sorcery before the term was even a thing.
While it was makeup maestro Rick Baker’s gloriously nasty-looking creatures that captured my attention as a child, this subsurface richness held my interest as an adult. Ultimately, I even conversed with Dante about it myself and he had no qualms revealing to me he made the movie with the express purpose of mocking those who loved its absurd-yet-genuine predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This Looney Tunes-esque defiance and determination to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only increased my affection for it.
When I endured a unexpected loss in the family recently, I was taken aback to discover that, during my most profound sorrow, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Weird, right? Perhaps not. The soothing reminiscence it furnished was necessary to dilute my mind’s mourning mire – but the insights it had imparted to me as an adult were similarly beneficial.
Like Gremlins tearing apart a genetics laboratory, there’s particular aspects in life you just are powerless over. Dante is aware of it. The Brain Gremlin agrees completely. Sometimes, you have to emulate them: embrace the chaos, put everything you’ve got into canned food and shotguns and try not to view the world with undue solemnity.
It’s powerful existential guidance from a most improbable origin – and it’s why Gremlins 2: The New Batch will forever remain my feelgood film.
Liam Hendricks is a seasoned gambling analyst and writer with over a decade of experience covering online casinos.