Skip to content
Wednesday, October 14, 2026
Explore Diamond Casino World for thrilling games, exclusive…

Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Look at 90s Rave Culture

The work of Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one key story turn, but it leads to a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game is in British and Irish theaters from 17 November.

The writer

Billy Bennett

Liam Hendricks is a seasoned gambling analyst and writer with over a decade of experience covering online casinos.

Diamond Casino World

Type to search articles.