Paul Bailey, who died in October aged 87, was renowned for his humorous talent, profound compassion extending to his deeply imperfect creations, and a sharpness that avoided being sterile. His fiction frequently delved into the role of remembrance on human existence, fueled by witty, staccato exchanges. Beyond novels, he also excelled as a poet, memoir writer, and additional roles—this serves as a roadmap to his enduring literary legacy.
Bailey was an outgoing person, a skilled communicator fond of lighthearted gossip, as one character notes. He and friend Beryl Bainbridge would watch the serial drama Coronation Street and analyze it telephonically. This fondness for chatty conversations is evident in his novels the book Trespasses (from 1970) as well as the title Peter Smart’s Confessions (released in 1977). Each includes a main male protagonist surrounded by comic, maddening, theatrical individuals, frequently family members whose impact cannot be avoided. “What’s so great about being normal?” queries Ralph’s mother within Trespasses when he reveals he is gay. Similar to spending time with your most clever, daring companion.
Paul Bailey authored superbly on old age, at both ends of his writing journey. His debut novel At the Jerusalem (1967) follows the life of Faith Gadny while she adapts to a nursing home, in which other inhabitants supply compassion absent in employees, who show interest through questions “Aren’t you watching television?”. In the novel before his final Chapman’s Odyssey (2011), a senior in hospital alternates between disputing with medics (“I consume only fine wines”, he affirms following criticism of his liver) and confronting past remembrances of his mother, lovers, literary figures such as Pip from Dickens or Emma from Austen. Both books are filled with humorous dialogues but marked by impending endings. In Bailey’s fiction, smiles are deceptive. In At the Jerusalem, “the matron beamed, then stopped suddenly”; Faith Gadny chuckles anxiously when confronted about her behavior. In that novel, Harry cautions that “my laughter is not genuine”. Readers’ smiles, however, are authentic.
Besides novels, Paul Bailey served as a gifted memoirist, releasing two self-written volumes. An Immaculate Mistake (published in 1990) is a masterwork of reminiscence, the heading taken from his mum’s statement labeling him an “accident” and questioning his presence. (“Elderly, she disclosed hidden truths,” he notes. “This one, she knew, would be of particular interest to me.”) This book reveals the origins for confused, affectionate, irritating parental figures within his fiction. It likewise portrays an evocative portrait of a homosexual young man in that era, when homosexuality was illegal, and his kin viewed it as suspicious that a son would purchase flowers for his mum; and of an aspiring actor (Paul Bailey performed prior to authoring) who learned Hamlet by age fifteen. His follow-up autobiography the book A Dog’s Life (published in 2004) focuses on days with his pet Circe, his previous lover David, his fondness for Romania—which inspired subsequent books such as Kitty and Virgil, the title Uncle Rudolf, as well as The Prince’s Boy—and heaps of rumors, including a tale about Iris Murdoch labeling a listener a “foolish person”.
Bailey’s novels are mostly concise—the notable Old Soldiers (published in 1980) is just over 100 pages—however, for a more condensed choice, try his poetry from later years. The pair of volumes Inheritance (from 2019) along with Joie de Vivre (released in 2022) exhibit his cleverness, sympathy, exactness in small packages. These poems are full of mortality and existence. Two romantic motifs repeat: for his mother (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his civil partner Jeremy Trevathan. In that piece, he depicts the pleasure in viewing “a silly TV show” as a couple, concluding with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
There is little debate that Bailey’s most ambitious novel is the novel Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, a task he hated.) This work the author was most proud of, despite the fact “it drained me. It took everything out of me”. It follows Gabriel Harvey’s story, whose mother vanishes while his dad transforms into an unbearable snob after inheriting wealth, with possible connections. It’s a depiction of 20th-century London, an account of psychological collapse, and both comic and tragic similar to his entire output. To continue, it led to a sequel, Sugar Cane (published in 1993), which Bailey researched by going to such places to watch.
Liam Hendricks is a seasoned gambling analyst and writer with over a decade of experience covering online casinos.